Saturday, 5 March 2011

Natasha in latex

Last month I lost my professional studio virginity, shooting Roxy and Mr Bones at Veverka in Blantyre. It wasn't a particularly satisfactory session, as I struggled with a lot of the basics and came away with barely a handful of shots my longtime collaborator could use. And unfortunately this wasn't a one-off ~ a commercial shoot for a comedy group, a homeshoot with Karen1985, and an evening jaunt to a classic rally in Glasgow had also left me struggling creatively, so I was 0 for 4 in 2011.

However, my half-decent commercial assignment in December for the Forbidden lapdancing club had thrown up some hope in the shape of Natasha Scott, a terrific model and dancer who was by far the most talented girl I photographed that night. I chased her up for a second session, luring her by offering to do a TFO (time for outfit) latex shoot. She picked out a wee custom-made black & white mini-dress from Jane Doe which was on sale, and we were good to go.

Once it was delivered (and very quickly too, thumbs up to Ms Doe) I booked Veverka again ~ my sophomore professional studio shoot. Although it's not as easy to reach as some city centre studios, it's good value and has two spacious facilities. And, because I have a car, getting there isn't a problem for me. I was also able to borrow Roxy, this time as my assistant, and since she and Natasha are pals, it meant everything was familiar and friendly right from the off.

The day itself was a hoot. I was running late, and although I'd bought talcum powder and baby oil, I didn't have any silicone spray to make the latex shiny (it looks kinda flat and dusty straight out the pack). When we collected Natasha, she too was running late, so she climbed into the car wearing ~ I kid you not ~ a leopardskin robe and her jammies, while her hair was wrapped in a towel. I confess that I thought she looked fab. Dressed like that, we detoured into the Party Times sex shop in London Road and bought ourselves some spray. As you do.

Got to Veverka about 30 minutes late, and while we began setting up, Natasha dolled herself up like a pro, before squeezing herself into the outfit. There was an amusing interlude involving talcum powder and a naked bum. There was a brief "Oh my god it disnae fit!" moment before Roxy and I teamed up for some pulling'n'zipping. And there was a brief panic when Natasha realized she didn't have her lighter, before a long and desperate trek around the streets of Blantyre finally got her lit up.

After that everything was just great. Natasha had brought along several outfits as well as expecting to do some nudes, but in the end there was just too much to do with the latex dress. Just means plenty more for our next shoot, woo-hoo. We packed up at three, and gorged ourselves at Pizza Hut before heading back to Forbidden for the start of her shift.

Even looking at the images as they transferred to the laptop I could tell this was (finally) a shoot I was happy with. I'm not going to tell you I'm the greatest thing ever ~ I know that the biggest reason everything went so well was that Natasha's an absolute corker in front of the camera ~ but for the first time in literally months I felt like I was actually doing a half-decent job, and I came away with plenty of straight-from-the-camera keepers.

A good day.

Tuesday, 1 February 2011

Veverka with Roxy

Long-time muse Roxy Stardust asked me if I wanted to do a glamorous Valentine-themed pin-up shoot with her, and of course I did. I always felt like I'd never shown her at her best, unless you consider a woman's best to be covered in gore and chewing at a chain-link fence.

After asking around, I decided to try Veverka Studios in Blantyre. Decent location, good prices, and recommended by Greig Middlemiss, an experienced friend and colleague who runs Different Light Photography and the Scottish Creative Network.

However, on the day things didn't go as planned. Poor Roxy was under the weather and didn't feel at all glam (although she did give 100% as usual), and I... well, I stank. I'm going through a crisis of confidence at the moment, and this was not helping. Aside from the steep learning curve ~ it was my first studio shoot ~ I was just creatively bankrupt that day. The images were bland and unimaginitive, and I knew it.

Eventually, Roxy suggested that I bring in Mr Bones. I went out to the car and fetched his body bag, and we got to work. I can't say I was thrilled at the day as a whole, but at least thanks to the macabre chemistry between my two favourite subjects, we were able to salvage something.

Saturday, 11 December 2010

Forbidden, part 2 (and once again, ooh-la-la)

As I blogged previously, I had to return to Forbidden to complete my shoot-the-dancers assignment for the club's website. A couple of girls still needed photographed, including Natasha, who I'd briefly chatted with during my previous visit. She's quite a memorable-looking girl. For starters, she has pink hair. Vivid, radioactive pink. Second, she has about a bazillion tattoos, including 'Do or not, there is no try' across her chest, and a large scroll of text down one leg.

Last week, after the first shoot, I was idly browsing through Model Mayhem and came across a profile I was very familiar with: Goreckii. A very experienced young model and dancer, with a great portfolio of photos to her name. Great look, long, vivid blue hair... several piercings...
"tattoos - a full paragraph of the Declation of Abroath on the side of my right leg from hip to knee...'Do or not, there is no try' along my chest..."

Eh ?! Wot ?! Natasha is Goreckii ?!?!

It was embarrassing to think I hadn't spotted who she was, especially since her Purestorm profile uses her real name. Nevertheless, I couldn't believe my luck: I was going to get a free shooting session with Goreckii, even if I didn't want to get my hopes up because of the constraining circumstances of the gig. So we did some quick test shots, then moved to the dancers' pole where she assured me she'd be able to show off some good moves.

Holy cow! This girl was fantastic, striking effortless poses in apparent defiance of gravity, and holding them until I could get the shot. And then it got even better! Before we finished, she asked if she could do some more static posing next to the pole. We did that, and I dimmed the lights a little to try and get a darker and more edgy look to the images. When I showed them to her, she raved! If things stayed quiet, she asked, would it be ok for her to come back later, and we could do some arty nude/topless stuff, just for us? I kid you not.

And I kid you not about what happened next: nothing, because I left and went home. I know what you're thinking. But I'd been paid, the club was getting a busy, there were three other mini-shoots I'd have to complete before I could get any one-on-one time with her, and it had been about nine hours since I'd eaten anything so I was staaaaaaaaaaaarving.

Still, you're right of course: Dumbest. Move. Ever. I've kicked myself every day since for not hanging around. Even if I'd had to wait six hours until the club was closed, she would have been worth it. I'm going to try and organize something between us in the new year, but it won't be the same; this was one of those spontaneous, carpe diem moments that you either grab with both hands, or lose forever.